Showing posts with label moviereview. Show all posts
Showing posts with label moviereview. Show all posts

Aadhalaal kadhal seiveer Movie review

By at6:32 PM -- 0 COMMENTS

Actor Vishal had spoken very highly about Director Suseenthiran’s Aadhalaal Kadhal Seiveer
(AKS) a few weeks back in an interview to Behindwoods and our expectations about the
movie naturally shot up.
Suseenthiran is known for quality movies such as Vennila Kabaddi Kuzhu and
Azhagarsamiyin Kudhirai. He has always been choosing diverse subjects in each of his
movies and now he has based his latest movie on a teenage romance, set in an engineering
college in Chennai. Selvaraghavan had towed a similar line, a decade back in Thulluvadho
Ilamai but his setting was a school.
Here, Suseenthiran has not just stopped with showing the rosy side of such hormone-
driven college romance but he has also focussed extensively on the striking realities and
grim consequences that arise from such a romance.
The first half has its share of fun thanks to some lively characters in the college such as
Arjun (earlier seen in Kadhalil Sodhappuvadhu Yeppadi), the guy with a feminine voice and
the reference to Mankatha Ajith’s salt ‘n’ pepper hair. Arjun keeps the mood light amid the
tension around, with his spontaneous comments. The girl who plays Manisha’s best friend
Jenny, is another important character and she adds a different angle to the proceedings.
The way teenage lovers coolly resort to lying, to save their skin at home is again enjoyable.
But we get the feeling that save romance, nothing else is on their mind. We might also
wonder if ‘crossing the limits’ is something which is so easy for this generation’s
youngsters.
The running time of the movie is a crisp 106 mins and the screenplay is unwavering. The
gripping family drama really takes the movie along, post the intermission and the finale is
sure to leave a lump in your heart as we are shown the unfortunate little victim of this
entire episode.
The casting in AKS is mostly on the mark with Jayaprakash and Thulasi as the heroine’s
parents, investing their heart and soul into the movie. Under intense duress, both these
actors mirror how parents would react in real life. Jayaprakash brings out the concern and
helplessness in his body-language while Thulasi stands as a pillar of support for her
troubled daughter in the end. Poornima Bhagyaraj as the hero’s mother doesn’t have much
of a role compared to Thulasi.
The way both the families react to the crisis on hand and how people respond to the same
situation in a different manner, are nice lessons in human behavioral dynamics. This brings
out some really engaging drama in the second half.
The hero Santhosh Ramesh could have been a lot more spontaneous. Manisha Yadav plays
the vulnerable and the emotionally fickle college girl pretty well and this is an extension of
her role in Vazhakku Enn 18/9. She too has some scope to improve. The chemistry between
the lead actors could have been more sparkling.
Yuvan Shankar Raja proves why he is the ‘Little Maestro’ in the finale of the movie and the
little pathos song sung by Yuvan himself, will surely move you. The little child that comes in
these scenes is a delight to watch though it’s really heart-wrenching as well. Great work by
the team in capturing all the myriad reactions of this child in a candid manner.
Among Yuvan's songs, ‘Mella Sirithal’ is well-choreographed and comes in the title credits.
‘Thappu Thanda’ has been aesthetically shot too. He has composed some extra songs for
the BGM score of the movie and they gel seamlessly with the screenplay.
The cinematography by Soorya is functional and shines through in the songs particularly.
On the whole, AKS is a ‘slice of life’ tale topped by a really impactful climax. Teenagers and
their parents ought to watch this one, for sure.
Verdict: Suseenthiran is back in form with a short impactful teenage romance
( 3.0 / 5.0 )

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Chennai Express Movie Review

By at5:34 AM -- 0 COMMENTS

Extravagant commercial filmmaker Rohit
Shetty teams up with Shahrukh Khan for the
first time in Chennai Express, a movie which
has a distinct Tamil flavor as there are many
prominent actors from the Tamil space
making an appearance in the movie.
The plot is about Rahul, a 40 year old
Mumbaikar who is down on luck when it
comes to romance. After the death of his 99
year old grandfather, his grandmother wants
him to travel to Rameshwaram down South,
to immerse his grandfather’s ashes.
Here begins his tryst with Chennai Express,
as he encounters Meenamma and her goon
cousins. After this, it’s a cat and mouse
game which involves a lot of drama, running,
chasing, hiding, of course romance and the
ultimate cliched resolution.
The first half of the movie is peppered with
some comedy as the train scenes when SRK is
stuck up with the goons and the way he
communicates with Deepika through Hindi
songs are a bit funny. The little portion at
the start with the granddad, a big Sachin fan,
also makes some emotional connect.
But the main romance is lifeless, lacks depth
and we don’t root for the lovers to unite.
Therefore, even when the hero spurts out a
big emotional monologue about ‘pyaar’ and
‘bada dil’ and later unimaginably bashes his
burly enemies to pulp, we aren’t affected in
anyway.
Shahrukh is energetic as always but tries too
hard to be funny and overacts at times. The
'Don't underestimate the power of a common
man' punch dialogue is lifted by SRK's
inimitable style and charm.
Tamilians speak neither Tamil nor Hindi like
how Deepika does in the movie and this
outing is a big downer for her, after some
sterling performances in Cocktail and Yeh
Jawaani Hai Deewani. It’s an ear-sore
listening to some of the words spoken the
way, she does in the movie. Who gave the
team the idea that Deepika should speak like
this? Are there living specimens who actually
speak like her? Highly questionable.
She is all decked up in rich sarees, half-
sarees and jewels and there isn’t a trace of
Tamil nativity in her as she appears more like
a rich Malayali. The lush green surroundings,
lakes, mountains and the usage of ‘Kathakali’
elements in the songs, again add to the
Kerala 'flavour' of the movie.
Sathyaraj is just there as a puppet in few
scenes after a super build-up at the start.
Some well-known Tamil villain artistes add to
the comedy of the movie and have made a
mark. Nikitin Dheer has to be among the
most monstrous men in Indian cinema and
seeing him getting bashed by a wiry SRK in
the end, is again a typical cinematic
exercise.

The first half has just one item song
featuring Priyamani while the second half has
3 songs in quick succession and though ‘Titli’
and ‘Kashmir Main’ are hummable, the impact
on screen isn’t there. The 'Lungi Dance' at
the end is not a tribute to Rajini, but a
farce.
The film has the production values that you
would associate with an SRK, Rohit Shetty
film but the action scenes and chases could
have been done much much better given the
reputation that Rohit carries as an ace action
designer. The climax fights are so farcical
and implausible.
Added to this, we have scenes totally lifted
from landmark South movies such as Muthu
and Okkadu (Ghilli). Even North audiences
might find more than a slight resemblance to
the plot of Jab We Met.
On the whole, the film might probably work
with the family audiences, kids and the
masses looking for some mindless festival
entertainment, but there is no originality or
novelty in the movie. Given the star power
and such a wide release, the box-office might
be receptive.
Verdict: Many stereotypes and a few
segments of mindless entertainment

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